On the slightly darker side, closer to Steampunks Goth roots than
most, are Unextraordinary Gentlemen. Comprised of vocalist
Malcolm, bassist/keyboardist Professor Mangrove and violinist J.
Frances, the band has a look - black pin-striped suits that give an
impression somewhere between a serial killer and a mortician - and
a sound to make Bram Stoker shudder. This comes across most clearly in the tracks "Skeleton Goes to Town" and "Black Iron Road". A song that with its creepy percussion, prominent plodding bass-line and deep, crooning vocals owes as much to Bauhaus as anything. They also do not neglect the more literary aspects of the Steampunk culture, being named after the graphic novel The League of Extraordinary Gentlemen by Alan Moore and their stage personas being based on a fairly elaborate fictional world. One detailed in the Unextraordinary Encyclopedia on the band’s website.
Someone else bucking the trend is Professor Elemental. More associated with the Geek-themed Chap-Hop genre, the professor does things a bit differently, adding the accoutrements of the mad scientist to the usual ‘what-ho chaps’ Chap-Hop persona. A potent mix that is both original and funny without being overly silly or mocking. One of the best examples is "Sir, You Are Being Hunted". A harrowing yet still silly tale in which the Professor and the listener have time-travelled to the future and are being hunted for sport by robotic huntsmen. A bit gentler is the heart-warming all-for-one anthem "All In Together"
Someone else using technology to great effect is Emilie Autumn
Liddell, better known to the world as Emilie Autumn. Alternately described as "Fairy Pop", "Fantasy Rock" and "Victorian
Industrial" Autumn’s music can be difficult to pin down. While the
"Fantasy Rock" monicker might be tempting, especially considering she shares a surname with the inspiration for Alice In Wonderland, "Victorian Industrial" is most accurate. Despite some nods like the track "Castle Down" Autumn is very much a hybrid. Classically trained in violin and piano Autumn mixes traditional instruments with modern programming like that found on synthesizers, samplers and drum-machines in a way that is all her own. There is seriously little chance of her ever being mistaken for Rufus Wainwright or Nine Inch Nails. The best example of this is the track "Misery Loves Company". Not only is it among the most accomplished of Autumn’s vocal performances, far from clashing the violin and harpsichord parts blend with the samples and drum-machine beats in way that not only works but seems almost natural. This is particularly true of the drum-machine, set in such a way that it mimics the thump-hiss of a piece of steam-powered machinery. Evoking the past with methods of the future and thereby embracing Steampunk’s core principles.
No comments:
Post a Comment